Tag Archives: editorial

Venice, September 2020

Venice without mass tourism.



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Il Gioco del Ponte, Pisa, 2019

Commonly known for the Piazza dei Miracoli and The Leaning Tower, Pisa remains a town rich in culture, historical sites, and traditions. The month of June offers a number of events, such as the “Luminara”, the “Regatta” and the “Battle on the Bridge”, when thousands of people come to overcrowd the southern and norther banks of the river Arno, called “Lungarni”.

The Battle, which sees several neighbourhoods, organised in two main coalitions, the southern side of the river, or “Mezzogiorno”, and norther part, or “Tramontana”, and evokes medieval battlefields among factions in Pisa. The first edition of the game took place in 1568. 

The overall game is divided into several stages. The historical parade, the formal opening of the battle, the challenges made by the ambassadors and the battle itself. The most picturesque part of the events are the historical parades, which start simultaneously on both sides of the river.

The sunset light is gentle on the beautiful medieval costumes. The Pisans have arrived in great numbers, sitting and standing on the parapets along the Arno. Everything is well organised for a family-oriented event. The “Gioco del Ponte” begins under the sound of the troops marching and drumming along the Lungarni. 

I have chosen to follow the “Tramontana” coalitions as the troops pass by the popular street of “Borgo Stretto”, one of the most characteristic and picturesque sites at the heart of Pisa, with coffees, restaurants and the authentic fruit market. The Borgo Stretto is where the social life happens, where the university night life takes place, where curious tourists are willing to discover the town beyond the Duomo, where to enjoy the  stunning sunset on the Lungarno. 

The overall historical parade consists of twelve teams, each one representing a different faction of Pisa. Each has its own motto, costume, drummers, warriors, and captain. They walk by the Arno to finally gather at the opposite side of the main bridge or “Ponte di Mezzo”, where the battle will begin. From there, a “challenge” is made deciding which team is going to fight next. In return, the ambassador from the opposite collation will announce the opposing team.

The actual battle happens in the middle of the bridge, where rival teams compete to “conquer” the bridge by pushing against each other a special trolley which moves on the track. The winning team is the one who makes the other team retreat, by triggering a flag at the end.

As in the medieval battlefields the troops needed to be highly trained, so are the man pushing the trolley. Physical strength alone is not enough to succeed. Mental preparation and a strategy under the command of a team captain are needed to win a battle. In the hierarchical organisation of the game, the captain is the charismatic leader the team relies on. Some have been leading a team for many years collecting memorable victories.

Six battles might not seem a lot, however a single encounter might last for many minutes of exhausting and strategic push-retreat-push. This was the case this year with the last fight, lasting for about twenty minutes, which sees the strongest teams from both sides. The awaiting during the push is nerve wrecking for the supporters on both sides, as the trolley does not seem to move to any directions. Supporters’ cheering blends with the noise of the drums. 
A last final push and the overall victory this year goes to Tramontana. As the game is over, supporters pour out to the streets to celebrate with the winning coalition.

The Gioco del Ponte is a source of great pride in Pisa, and it is supported by the “Amici del Gioco del Ponte” association, committed to support the game with awards linked to the best roles and costumes.

It is much more that a game. It is love, respect and celebration for the Republic that Pisa once was. The town was a power in the Mediterranean at the time of the Maritime Republics. Not by chance, the overall motto of the Gioco is “Vinca Tramontana o vinca Mezzogiorno, sempre Pisa vincera’“ (translates like – whoever wins between Tramontana and Mezzogiorno, Pisa will always win). The greatness of Pisa always win. 

 

Resources: 
Amici del Gioco del Ponte – link in English: 
http://www.giocodelpontedipisa.it/pisa-battle-on-the-bridge.php 

Thanks to the Comune di Pisa for the support I have received to produce this work. 

Posted in Documentary, Editorial, Event, Italy, People, Pisa, Traditions, Travel Photography Also tagged , , , , , , , , , , , , , , , , , , , , , , |

THE NOTTING HILL CARNIVAL 2018

A few shots from The Notting Hill Carnival. The Jouvert,  the Family day under a pouring rain, and the final parade day…

 

 

Posted in Carnival, Documentary, Editorial, Festival, London, People, The Notting Hill Carnival Also tagged , , , , , , , , , , , , , , |

Bole Pirocanac, a pottery maker in Belgrade, Serbia

Bosko Petrovic, called Bole – Piroćanac, was born in 1940, and has been working since the age of twelve. As many pottery masters in Serbia, he comes from Pirot, eastern Serbia.
A specific aspect of the Pirot’s school of pottery making is that the potter is positioned next to the wheel (on the right hand side), whilst in other schools across the world potters turn the wheel that sits between their legs.
 
Bole tells us that he finished the school for the crafts at 16, and took him 4 additional years of apprenticeship to become a master or ‘Majstor’.
 
In 1956, the business he was working for had to close following the introduction of very large taxes. As many other skilful pottery masters from Pirot, he continued to get contracts across former Yugoslavia and used to work from spring to autumn.  In 1966 he opened his first own business in the outskirts of Belgrade, and he was advised to sell at the Kalenic market.
 
I asked Bole how he could still make pottery at his age. Forty years ago Bole began a daily program of one hour exercise before going to work, following a doctor’s advice.   Bole is, indeed, full of energy and strength, and he still works about four hours in the workshop every day.
 
Bole’s son, Dejan, has taken the workshop over in 1985, and invested in development and research of material and ways of firing the pots.
 
Bole and Dejan welcomed us at their workshop. After taking the photos we were offered Turkish coffee in beautiful and well-kept house garden. I asked Dejan, father of two daughters, if he has any apprentices keen to learn the art. He reckons that, as it takes about ten years to become a master, it is more convenient for young generation to continue studying at university.
 

 
The family business sells at the Kalenic market, in Belgrade.
 
Their website at http://www.grncar.rs/

 
 

Posted in Documentary, Editorial, People at work, Portrait, Serbia, Travel Photography Also tagged , , , , , , , , , , , , , , , , , , , |

International Photography Awards (IPA) 2016

Thanks to the International Photography Awards (IPA) for awarding me with two honorable mentions in the editorial category.

Here is my work (click on each image to see the photos on the IPA site)

Editorial: “Belgrade Refugees Aid Centre

 

 

Editorial: “Dungeness – UK

 

 

IPA web site: www.photoawards.com

Francesco

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International Photography Awards (IPA) 2015

Thanks to the International Photography Awards (IPA) for awarding me with three honorable mentions in the categories of Architecture, Deeper Perspective/Editorial and Lifestyle/People.

Here is my work (click on each image to see the photos on the IPA site)

Deeper Perspective & Editorial: “Revisiting a working place

IPA2015, Francesco Marchetti, Revisiting a working place

 

Lifestyle & People: “UK Seaside in Summer

 

IPA2015, Francesco Marchetti, UK Seaside in Summer

 

Architecture, Bridges & Cityscapes: “Belgrade Bridge

 

IPA2015, Francesco Marchetti, Belgrade Bridge

 

Francesco

 

 

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